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By Paul Freeman. For The Daily News. His career spans more than half a century. But legendary jazz saxophonist/flutist/composer Charles Lloyd, 77, says he still finds something new every time he picks up an instrument. “Every day is a discovery,” Lloyd tells The Daily News. “I have a beginner’s mind and delight in turning over new stones on the path each day.”. Lloyd grew up in Memphis. He began playing the sax at age 9. Later, he learned to express himself fluently on flute, as well.

Growing up in a Filipino family, Lorenzana was surrounded by music, “Someone was always singing, My brother, Guji, was trying to be Michael Jackson, While cleaning, while doing homework, we sang and it made it more ballet gifts~ballet kilt pin brooch~ballet keyring~ballet shoes~ballet dancer fun.”, But Lorenzana was a shy child and never sang outside of their Santa Clara home other than in the church choir until she auditioned for “Grease” in high school, Landing the part of “Sandy,” she remembers other people’s doubt and her pride after proving she, like her brother, was a performer..

Tickets are available by calling 408.266.4734 or visiting bit.ly/saratogamusical. The show goes on at Saratoga Civic Theater, 13777 Fruitvale Ave. Choreographed by Cuban choreographer and dancer Alicia Alonso, the ballet about a young peasant girl who dies of a broken heart and then is summoned from the grave comes on the heels of the historic reopening of relations between the United States and Cuba after more than 50 years. Alonso first danced the title role in 1945 in Havana and has adapted the choreography of the classic ballet. Now she has handpicked Jose Manuel Carreño, Silicon Valley Ballet’s artistic director, to dance in select performances.

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For Fain, the text was the project’s launching point. Rather than trying to glean action and incident from Woolf’s lapidary approach to time and character, she “uses the text the way I’d use a musical score, drawing on Woolf’s rhythms and cadences, images and ideas when I create movement. “I don’t try to portray this in any narrative fashion,” Fain says. “It’s not about somebody doing something and then something happens. It’s really about an unfolding understanding of life. It’s about solos and introspection and the outward energy of a solo. I’ve tried to bring out the emotional elements in relationships.”.

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