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In the big production numbers like “There is Nothing Like a Dame” and the crowd-pleasing “Honey Bun,” Michael Ryken’s choreography holds up and is lively and exuberant. So why does this production not really zing? It’s possible the fault lies in Milissa Carey’s direction, because some scenes suffer from having too much sucked out of them, while others seem stagnant, likely because not enough was removed. The very first scene seems far too abrupt. It starts with Emile’s two charming half-Polynesian children (Deepti Kumar and Akshay Thakur) who sing and dance to “Dites-Moi” (which means “tell me why”). In walks nurse Nellie Forbush (a maddeningly ill-at-ease Madison Genovese) and, shortly thereafter, Emile (Cameron) arrives. They immediately begin singing about being in love, though there’s not so much as a shred of chemistry between them.

Opening the concert is Mexican-born singer/songwriter Diana Gameros, who’s become a deservedly ubiquitous presence in the Bay Area as a captivating voice exploring the precarious emotional terrain navigated by immigrants, documented and otherwise, She’s honed a disparate repertoire including finely wrought original songs, but her ballerina hair bow holder, ballerina hair bow, ballet hair bow, ballet toe shoe hair bow, pink hair bows, dance hair bow,hair bo recent album “Arrullo” is a nostalgia-laden program of Mexican folk songs she associates with childhood trips to visit her grandparents in a rural village about 350 miles south of her hometown, Ciudad Juarez..

“Also on the bill is a performance by a group of rock ‘n roll singers called the Velvet Underground,” Crowther wrote. “They bang away at their electronic equipment, while random movies are thrown on the screen in back of them. When will somebody ennoble Mr. Warhol with an above-ground movie called ‘For Crying Out Loud’?”. At Warhol’s suggestion, they performed and recorded with the sultry, German-born Nico, a “chanteuse” who sang lead on a handful of songs from their debut album. A storm cloud over 1967’s Summer of Love, “The Velvet Underground & Nico” featured a now-iconic Warhol drawing of a (peelable) banana on the cover and proved an uncanny musical extension of Warhol’s blank-faced aura. The Velvets juxtaposed childlike melodies with dry, affectless vocals on “Sunday Morning” and “Femme Fatale.” On “Heroin,” Cale’s viola screeched and jumped behind Reed’s obliterating junkie’s journey, with his sacred vow, “Herrrrrr-o-in, it’s my wife, and it’s my life,” and his cry into the void, “And I guess that I just don’t know.”.

After a busy 2013 that saw Discovery Bay’s Community Services District buy a former athletic club property and deal with some of the growing pains of turning the purchase into a long-awaited town hub, a spruced-up version of the building is reopening this week, Classes and programs will start next week, “The inside is a 100 percent improvement from what it was,” board Vice President Kevin Graves said, Most recently, Discovery Bay allocated up to $80,000 toward improving lighting, replacing flooring and adding office space, Work has been ongoing the past couple ballerina hair bow holder, ballerina hair bow, ballet hair bow, ballet toe shoe hair bow, pink hair bows, dance hair bow,hair bo weeks, and the price tag will wind up under that amount, officials said..

Women Laughing Alone with Salad: Through Nov. 18, Ashby Stage, 1901 Ashby Ave., Berkeley. Exploring gender stereotypes, relationships, and sexism, with a healthy side of humor. $7-$42. shotgunplayers.org/online/article/salad. Master Guitarist Estas Tonne with Ballet Superstar Sergei Polunin: Nov. 6, Palace of Fine Arts, 3301 Lyon St., San Francisco. $55-$90; Nov. 8, Bankhead Theater, 2400 First St., Livermore. $35-$75; Nov. 10, Rio Theater, 1205 Soquel Ave., Santa Cruz. $42-$63. A collaboration of music and dance. www.estastonne2018.com/.

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